The12 SUB PRO PASSIVE SEALED SH with its sealed cabinet concept offers a rock-solid bass sound from the smallest of dimensions, easily integrable in restricted installation situations. With its shallow depth of 210 mm (8.27”) and exceptional 12” woofer, it can deliver the kind of tight, punchy bass and impressive dynamics that many would like from their modest home theaters or media rooms, all while tucked away in out-of-the-way locations.
The12 SUB PRO PASSIVE SEALED SH shares the same core design advantages the entire range of ASCENDO subwoofers feature – extremely low distortion to reproduce the finest detSpeaker type
12″ forward-firing, advanced carbon nomex pulp mix cones, neodymium motor with 4” ultra-high-temperature voice-coil and triple shorting rings.
Xmax
20 mm excursion each direction (40 mm linear), voice coil remaining in homogeneous magnetic field, linear and lowest distortion
Passive | Active
Passive
Recommended amplifiers
1 Ch DSP + amplifier are required. Min. recommended amplifier: 70 Vrms, 99 Vpk, 17,5 A; equivalent to 1200W@ 4? with correct RMS & Peak limiting & compression settings.
Recommended ASCENDO amplifiers
(With DSP-4D: AIA2-1404 bridged, AIA2-2704, AIA4-2404 bridged, AIA4-6004, AIA8-6004 bridged) , DSP4-10K2
Principle
Sealed
SPL (Peak / half space 2pi)
124 dB cont., 128 dB peak
Frequency range
Measurement data
44 Hz – 400 Hz / -3 dB
22 Hz – 400 Hz / -15 dB
Efficiency
88 dB / 1W/m
Power handling
1200 W
Impedance
4 Ω
Air volume displacement
1,02 L / in comparison 12″ standard cinema subwoofer 0,4 L
Directivity horizontal x vertical in Deg°
360°
Input terminal
One 4-conductor Phoenix 12 AWG (3,3 mm²)
Enclosure
Internally braced MDF
Width
17,22 “| 450 mm
Hight
23,62” | 600 mm
Hight with feet
24,24 “| 615 mm
Depth without grill
8,27″ | 210 mm
Depth with plug
8,78” | 223 mm
Weight
48,5 lbs | 22 kg
Finish
Matte black
Custom colour options
Piano lacquer, colour of choice, matt or other finishes upon request
Shape customization
Upon request
Mounting
Floor standing with feetails with the highest dynamic range to meet the content transients without compression, but perhaps more importantly, a linear response from bottom to top to allow for exceptional integration with the main and surround channels.
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